Today, Lakshmi's House is a temple that houses Sri Aurobindo's relics.
It is a field of action for the realization of our spiritual Ideal.
It is the electronic equivalent of randomly looking up a book to receive an indication or answer.
Everybody can do it. It is done in this way: you concentrate. Now, it depends on what you want. If you have an inner problem and want the solution, you concentrate on this problem; if you want to know the condition you are in, which you are not aware of - if you want to get some light on the state you are in, you just come forward with simplicity and ask for the light. Or else, quite simply, if you are curious to know what the invisible knowledge has to tell you, you remain silent and still for a moment and then open the book. I always used to recommend taking a paper-knife, because it is thinner; while you are concentrated you insert it in the book and with the tip indicate something. Then, if you know how to concentrate, that is to say, if you really do it with an aspiration to have an answer, it always comes.
For, in books of this kind (Mother shows The Synthesis of Yoga), books of revelation, there is always an accumulation of forces - at least of higher mental forces, and most often of spiritual forces of the highest knowledge. Every book, on account of the words it contains, is like a small accumulator of these forces. People don't know this, for they don't know how to make use of it, but it is so. In the same way, in every picture, photograph, there is an accumulation, a small accumulation representative of the force of the person whose picture it is, of his nature and, if he has powers, of his powers. Now, you, when you are sincere and have an aspiration, you emanate a certain vibration, the vibration of your aspiration which goes and meets the corresponding force in the book, and it is a higher consciousness which gives you the answer.
Everything is contained potentially. Each element of a whole potentially contains what is in the whole. It is a little difficult to explain, but you will understand with an example: when people want to practise magic, if they have a bit of nail or hair, it is enough for them, because within this, potentially, there is all that is in the being itself. And in a book there is potentially - not expressed, not manifest - the knowledge which is in the person who wrote the book. Thus, Sri Aurobindo represented a totality of comprehension and knowledge and power; and every one of his books is at once a symbol and a representation. Every one of his books contains symbolically, potentially, what is in him. Therefore, if you concentrate on the book, you can, through the book, go back to the source. And even, by passing through the book, you will be able to receive much more than what is just in the book.
There is always a way of reading and understanding what one reads, which gives an answer to what you want. It is not just a chance or an amusement, nor is it a kind of diversion. You may do it just "like that", and then nothing at all happens to you, you have no reply and it is not interesting. But if you do it seriously, if seriously your aspiration tries to concentrate on this instrument - it is like a battery, isn't it, which contains energies - if it tries to come into contact with the energy which is there and insists on having the answer to what it wants to know, well, naturally, the energy which is there - the union of the two forces, the force given out by you and that accumulated in the book - will guide your hand and your paper-knife or whatever you have; it will guide you exactly to the thing that expresses what you ought to know…. Obviously, if one does it without sincerity or conviction, nothing at all happens. If it is done sincerely, one gets an answer.
Certain books are like this, more powerfully charged than others; there are others where the result is less clear. But generally, books containing aphorisms and short sentences - not very long philosophical explanations, but rather things in a condensed and precise form - it is with these that one succeeds best.
Naturally, the value of the answer depends on the value of the spiritual force contained in the book. If you take a novel, it will tell you nothing at all but stupidities. But if you take a book containing a condensation of forces - of knowledge or spiritual force or teaching power - you will receive your answer.
New Year's Day in the Bengali calendar
Anniversary of Sri Aurobindo's arrival in Pondicherry - 4.Apr.1910
A collective Meditation was held around the Relics.
Anniversary of The Mother's First Arrival Day in Pondicherry.
There was a collective Meditation around the Samadhi.
Monthly programmes of February and March, 2012
In its endeavour to give Kolkata's cognoscenti regular opportunity to rejoice in the genius and creativity of Dilip Kumar Roy, the Resource Centre organized its monthly programmes on February 14 and March 13, 2012 under the general theme 'Sur Sannyasi Dilip Kumar'. The programmes intended to capture Dilip Kumar Roy's spiritual quest through his journeys in the realm of music; an odyssey where the distinction between sprituality and music often got blurred.
February being the auspicious month of the Birth of the Divine Mother, the focus of the programme was on Dilip Kumar Roy's stay at Pondicherry and his relation with Her. Choosing from Dilip Kumar Roy's reminiscences on The Mother, Shri Supriti Mukhopadhyay presented an impressive and moving discourse on the topic, accompanied by immortal compositions rendered in the heavenly voice of the master.
March is the month when Sadhak-Poet Nishikanto was born. Hence the focus of this month's programme was on the unique creative synergy that existed between Dilip Kumar Roy and Nishikanto. In his discourse Shri Supriti Mukhopadhyay touched on the gnenesis, evolution and fruition of the friendship between there two great minds. The audience was treated to beautiful compositions penned by Nishikanto, set to tune and rendered by Dilip Kumar Roy.
The Mother's 134th Birth Anniversary
Exhibition of paintings by lady-artists at Galerie La Mere
Joya di's 76th Birth Anniversary
Annual exhibition of paintings and drawings at Galerie La Mere
In Joya di's voice
by Sraddhalu Ranade
This video relives Calcutta's association with Sri Aurobindo for the period 1906-1910. It describes the fruition of Joya di's endeavour to put up Memorial Plaques at those places in Calcutta where Sri Aurobindo had stayed at or worked from.
12:22
From the english translation of Karakahini by Prof. Sisir Kumar Ghosh
KARAKAHINI (Tales of Prison life) is Sri Aurobindo's account of his experiences as an undertrial prisoner in Alipore Jail, Calcutta. It is written in Bengali.
This video is a reading from "Kara-Kahini' with additional scripting by Supriti Mukhopadhyay. Supriti Mukhopadhyay brings to life the events that led to Sri Aurobindo's incarceration and stay at Presidency Jail from May 5, 1908 till his release on May 6 1909. The pathos, the wit, the sarcasm, the irony in Sri Aurobindo's writing find expression in Supriti's reading.
The Master's solitary confinement in a 9 by 6 cell, the small courtyard in front of his cell where he was finally allowed to take a stroll twice a day, the ubiquitous bowl which served a dual purpose, visits to the courtroom for attending the trial proceedings, seeing Krishna everywhere, every such detail penned by Sri Aurobindo is made vivid by a masterly reading by Supriti Mukhopadhyay a century later.
KARAKAHINI (Tales of Prison Life) was first serialized in nine parts in the Bengali monthly, Suprabhat in 1909-1910. This series remained incomplete as Sri Aurobindo left Bengal in 1910. KARAKAHINI came out in book-form in 1920 from Chander-nagore.
1:09:39
All extracts and quotations from the written works of Sri Aurobindo and the Mother and the Photographs of the Mother and Sri Aurobindo are copyright Sri Aurobindo Ashram Trust, Pondicherry -605002 India.
All other Rights and Content Reserved - Copyright © Sri Aurobindo Institute of Culture (SAIoC).